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Leica Cameras for travel

Bonnieux, my adopted home away from home. If you have never heard of it, don't fret – neither had I, until a twist of fate and a slightly misguided sense of adventure (or was it a mid-life crisis?) landed me here. This hilltop Provençal village that seems to have been designed by a particularly nostalgic set of gods with a penchant for puzzles and steep inclines.

You see, Bonnieux isn't just a village; it's a full-blown aerobic workout. I've lost more weight walking to the bakery here than I ever have in a gym at home. The place is perched – and I use that term with the total weight of its gravity-defying implications – on a craggy hill in the Luberon, offering views that stretch endlessly until they bump into some other quaint village or an olive grove that's been around since Julius Caesar was in short pants.

The history? Oh, it's rich. Bonnieux was a big deal when the Popes were in Avignon, probably because they needed a scenic retreat from all that divine responsibility. The old church at the top of the village is so ancient that I half expect to bump into Crusaders or Knights Templar comparing GPS coordinates. And let's not forget the Roman bridges and roads. The Romans, those eternal show-offs, left behind the Pont Julien – a bridge still standing after two thousand years. I'm convinced it’s due to sheer stubbornness.

Fast forward a few centuries, and Bonnieux, like every self-respecting medieval French village, got itself embroiled in the religious wars. Catholics and Protestants squabbling over God's fine print led to some rather spirited town meetings, I imagine. This historical mishmash has given the village an architectural diversity that's an absolute nightmare for anyone trying to pick a coherent colour scheme for their window shutters.

Then came the agricultural revolution, with cherries and olives becoming the stars of the show. The terraced landscapes here are a testament to what you can achieve with a bit of land, many stones, and a complete disregard for your back’s well-being.

The 20th century saw Bonnieux, like a retired movie star, fade a bit into the background. But then, as if in a plot twist, it found itself rediscovered, like an old vinyl record in a hipster's hemp shoulder bag from a “vintage shop.” Artists and writers, presumably tired of Parisian traffic and existential angst, decided Bonnieux was the place to be. Cue the restoration of historic buildings and the revival of those agricultural traditions, now considered quaint.

Today, as a part-time resident and full-time observer, I watch with amusement and a touch of pride as Bonnieux parades its history with the casual elegance of a catwalk model. The streets here don't just wind; they meander with purpose as if to tell you, "Slow down, you're missing the point."

Culturally, the village is a kaleidoscope. It's inspired more paintings and books than a village this size rightfully should. Walking through its lanes, you half expect to stumble upon an art easel at every corner or a writer musing under every tree.

So, why Bonnieux? Why did I, an admittedly eccentric apprentice writer who loves the quirky and the absurd, choose to plant roots here? It's simple. Bonnieux isn't just a place; it's a character in its own right, with a story that keeps unfolding in the most unpredictable ways. It's the kind of place where history isn't just remembered; it's lived in, laughed in, and occasionally tripped over.

In conclusion, come to Bonnieux if you're ever in Provence, looking for a village that combines breathtaking views with a workout regime fit for a Roman legionnaire. Just remember to bring good shoes and a sense of humour. You'll need both.

Don’t get any bright ideas and decide upon arrival that this place would also suit you down to the ground. Don’t let me catch you entering one of the three local real estate agents. I moved here to escape you, so find your own village. No hurry, sit; I can still pour you a glass of Rosè while you study your map!

As always, please leave your thoughts or any comments below. I do look forward to hearing from you.

Live well!

M.

All images were captured with the Leica SL2-S camera and 24-90mm lens.

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ADJUSTMENT THROUGH ART.

Leica Cameras For Travel

As promised, today is Wednesday, and I am keeping my word to cobble together some thoughts and observations twice a week while I travel again this summer. Slipping into the rhythm of Provence is akin to mastering the art of watercolour painting - it's elusive, delicate, and if you're too hasty, you might just blur the lines. My initial days here in the valley were a whirlwind of trying to capture every hue and every shade, a futile attempt to encapsulate the essence of Provence into a single summer's canvas. But Provence, with its timeless wisdom and laid-back allure, gently guided our brush strokes. The thing is that I know better. I have to keep the notion that Rome wasn’t built in a day, and I actually live here for a good portion of the year now. I need to adjust to “mellow” faster. A work in progress. I blame my haste over the last week on wanting to host my brother to the best of my ability. It is his first time in this region, and I felt as though we needed to “walkacrossitall” as soon as we arrived in Marseille from Barcelona.

Provence doesn't merely suggest tranquillity and enjoyment; it insists on it, like a seasoned artist insisting on the perfect blend of colours. It has taken me a full week to finally understand the language of the cicadas, the whisper of the Mistral, and the rhythm of the sun-dappled vineyards. We have just recently learned to breathe deeply, to let the scent of lavender fill our lungs and the taste of rosé linger on our tongues. We have learned to let go, to let Provence seep into our canvas and our souls until we are no longer otherwise consumed but a part of the vibrant tapestry itself.

The Luberon Valley, with its warm hues and vibrant landscapes, is a masterpiece unto itself. It doesn't need comparisons or benchmarks; it simply is. Our local boulangerie, with its golden baguettes and flaky croissants, was a revelation in itself. Thank you for opening your doors every morning at 6:30. Thank you for your perfect espresso and pain au chocolat. Both of these indulgences are my mood altering drugs.

As you may have read in earlier posts, I am a sucker for art. And even more so when I can get out of the heat to enjoy it. The transition from the languid lifestyle of Provence to the vibrant world of Dutch art was as seamless as a Van Gogh brushstroke. The underground gallery in Carrières de Lumières, nestled in the heart of Les Baux-de-Provence, was our gateway into this mesmerizing world once again. I think I have been to this venue at least half a dozen times now. The cool, dimly lit caverns were a stark contrast to the sun-drenched landscapes outside, but they held treasures of their own. I apologise now for writing about this wonderous place on more than one ocasion.

The Dutch masters, from the portrait artists of the Golden Age to the impressionists like Van Gogh, came alive on the rough-hewn walls of the quarry. Their works, projected in larger-than-life dimensions, enveloped us in a world of vibrant colours and evocative imagery. We found ourselves lost in the intricate details of Rembrandt's portraits, the play of light and shadow in Vermeer's interiors, and the swirling skies of Van Gogh's landscapes.

The gallery was a time machine, transporting us back through 400 years of art history. We walked through the streets of 17th-century Amsterdam, stood in the middle of a sunflower field under the Provencal sun, and gazed at the starry night over the Rhone - all within the span of a couple of hours. It was a sensory overload but in the best possible way.

As we emerged from the gallery, blinking in the bright sunlight, we carried with us a newfound appreciation for the Dutch masters and their contribution to the world of art. And as we sipped our Heineken (Dutch beer with Dutch art, why not?) at the gallery café, we couldn't help but marvel at the magic of Provence - a place that seamlessly blends the tranquillity of nature with the vibrancy of culture.

The scent of lavender and Provencal herbs permeated the air, a fragrant reminder of the region's rich agricultural heritage. The fields of lavender, stretching as far as the eye can see, are a sight to behold. The remnants of the recently harvested vibrant purple blooms swayed gently in the breeze, creating a mesmerizing tableau that was as soothing to the eyes as the scent was to the senses.

The local market in Saint Remy was alive with vendors of Provencal herbs - thyme, rosemary, basil, and of course, lavender. Each stall was a delight, the air around it heavy with the scent of fresh herbs. We spent hours exploring, picking up bundles of herbs, fresh produce, and the occasional bottle of local rosé. I think these next two locals should be giving a masterclass on how to enjoy every second on this planet!

Just bring your camera, and perhaps, a sketchbook.

Please leave a comment if you have a moment.

All images were captured with a Leica SL2-S and a 24-90mm lens.

Live Well!

M.

Images from the exhibit follow.

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